
She doesn’t care about Hermes anyway. My girlfriend told me in the car in Jakarta the other day. We felt quiet in the car after a lunch with Mangga Dua topic our mutual friend likes. Mangga Dua in north Jakarta is a wholesale market for anything fake and original-fake from watches, glasses frames, shoes, and of course ladies handbags. Heard the market is the biggest in Southeast Asia that people come by from many places in Asia to shop for merchandise. The stock comes in many classes (read: qualities) from the most expensive known as original-fake (details are very close to the original) to the cheapo quality that even non-experts' eyes can spot.
Those original-fake handbags, say, are not cheap! Surprisingly. Said an original-fake croco Hermes may fetch as much as $500 that of course heavenly cheaper than the original that is worth $20,000. Other original-fake from ‘fairly low-key’ brand like the popular Le Pliage may be worth already a quarter the original so not much difference for… a fake. I learned the fact from a single discussion we had over lunch. My friend asked me how much I paid for my Le Pliage. Oh! Yours is real? Put it on the table I want to see… I gasped. I didn’t think long when answered but what else could I say? I only carry real things in life so if you spot me with Hermes bag, you better sniff around who’s ‘behind me.’
Anyway, the fact has made my friend and I feel sort of sad that our friend is so keen of fake things. We both respect the original creator of anything. My friend is an art collector that has met many artists in her adventurous shopping for art. While I can call myself an artist. Though simple, I don’t like the thought that one may copy my necklace style. I can be choked when I spot even similar style. It’s natural feeling of a creator. We all create things with heart, inspiration, and creative urge that no one can explain how those become embedded in our work.
So I was just shocked when a friend sent me a link about a repro-painting producer in Thailand. At first I thought about a digital reproduction of well-known artists like Renoir and Bottero's work that we can buy at $15 in bookshops or souvenir shops. It’s not! An original-fake paintings! As in real canvas with real paints. The producer employs some 30 artists to make maestro's painting copies to meet orders from Europe and other parts of the world. I was chilled reading the article. What is this? Making money out of other people’s work?
I remember my art connoisseur friend in Jakarta once posted status on his Facebook about he feels sad because his fellow artists earn from making copy. He continued, if they can make good copy, they have hope to develop their own style to become real artists themselves, not become a good ‘photocopy machine.’ For one, he cares about his fellow artists. For other reason, I could sense he’s just tired of dealing with fake paintings he has to deal as part of his business running his own auction house. He can say not nice thing about the idea of reproducing. Like me, we are artists in our ways.
Can’t we make a difference by being a good consumer? GAP spends a lot of fund for making sure their products are not produced by child labors. I know that for sure because a good girlfriend once worked for GAP and she was in the law department. So it never comes into my mind to buy cheapo fake-o GAP clothing in the market for a quarter price of the original. I respect fair trade and its cost to make change in the world even I have to pay more for my respect. If I cannot afford, I don't mind buying anything within my scale as long as… it’s original!
It’s sickening, right?
An original painting I spotted in an Indian restaurant in Makati City, Manila.